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Review

"In Staying with the Trouble, we find real SF: science fiction, science fact, science fantasy, speculative feminism, speculative fabulation, string figures, so far. So many ways to look at the world and ourselves, so many complicated ideas on how we critters will survive and thrive and die in the disturbing Chthulucene. Haraway is difficult to read. But the effort required is worth it."   (Nancy Jane Moore Cascadia Subduction Zone 2016-10-17)"Chthulucene is not a simple word, yet it is a productive motif for Haraway. With it she laces ideas from urban pigeons, woolen coral reefs, writing workshops, Inupiat computer games, canine estrogen and Black Mesa sheep. The thready and the tentacular form the subject and the framework of her theory-making, as well as the structure of her writing."  (Archie Davies Antipode 2016-10-26)"Staying with the Trouble is Haraway at her most accessible. Readers familiar with her work with recognize her characteristic style and language, polysemous metaphors co-mingle with evocative refrains, deep etymological readings, and even the occasional sentence with internal rhyme schemes. . . . This is a work to provoke and inspire. It is a call to arms (or pseudopods as the case may be)!"   (Matt Thompson Savage Minds 2016-11-18)"[W]e should take seriously the implications of kin versus family, of kin as encompassing all non-human relations. There is an ethics here, on a micro and macro level. Haraway is no moralist, but replacing 'human relations' with 'kin' arguably brings about a transformation in our hierarchies and priorities - why not care as much about a wildflower as you do about your niece? If it is not a zero-sum game, and let us hope it is not, we can make room for all kinds of lives, and all kinds of ways of living. Staying with the trouble is also a matter of sticking with all the things that currently live and will die alongside us, whether we cause it or notice it or not."   (Nina Power Spike 2017-01-01)"Haraway models like few others deep intellectual generosity and curiosity. Staying with the Trouble cites students, thinks with community activists and artists, and writes alongside scientists and fiction writers. Haraway does not want you to read her; she wants you to read with her. She also insists on conversations with all kinds of storytellers: academics or not, humans or not, environmental humanities scholars or not."   (Astrida Neimanis Australian Feminist Studies)"The book enacts different forms of analysis and activism. It is not only that the book transcends disciplinary boundaries of biology, sciences studies, art history, philosophy and dense descriptions of political activism most often found in social sciences. These approaches are interwoven in a very rich and exquisite manner for which the author is well known." (Waltraud Ernst Angelaki 2017-05-17)"Haraway is probably as aware as a writer can be that what she has to offer at the moment is nowhere near enough to engage with all the ‘trouble’ that needs to be engaged with. All she can do, she seems to be saying, is to stay with it a while, worrying at the very edges of her capacity, and then pass it on. ‘We need each other’s risk-taking support, in conflict and collaboration, big time,’ is how she ends that infamous two-page endnote. ‘The answer to the trust of the held-out hand’, as she also puts it. ‘Think we must.’" (Jenny Turner London Review of Books 2017-06-01)"Staying with the Trouble is a kind of Whole Earth Catalogue of thought devices for attuning our senses to the damaged ecosystem of the still-blue planet. It makes It makes inspiring and imaginative use of science fiction, art projects, geology, evolutionary theory, developmental biology, science and technology studies, anthropology, environmental activism, philosophy, feminism, horticulture, linguistics, pigeon fancying, and many other ways of thinking and knowing about ourselves, our worlds, and the many imbricate relations through which life on earth comes into being and dies." (Sarah Franklin American Anthropologist 2017-09-01)"In advancing an approach that is at once hopeful but grounded, attuned to the realities of history but open to the possibility of alternative futures—in other words, in adamantly insisting on 'staying with the trouble' of the present—Haraway provides a ray of light in an otherwise- gloomy world of Anthropocene scholarship." (Leah Aronowsky Endeavor 2017-07-01)"For anthropologists Haraway’s book will read as an invitation to think and write in terms that allow for symbiosis throughout.... Readers may not find clear road maps that guide them to struggle for more just flourishings or to understand the powerful and violent articulations of economies and ecologies in the Capitalocene. But they will perhaps rethink and expand the diverse relationalities that constitute the very preconditions of collective action. This is an invitation both to theorize and to make unexpected collaborations." (Caterina Scaramelli American Ethnologist 2017-11-01)

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Review

"Staying with the Trouble is written with love and rage, making it felt what it takes not to turn one’s back against the demands of this terrible time which some dare to call the Anthropocene. Donna J. Haraway mobilizes the power of words, images, and tales to shake off the dual temptation of faith in providential technofixes and of bitter 'game over' pseudo-wisdom. Her book forcefully demands that we consent to participate in the ongoingness of the world." (Isabelle Stengers, author of In Catastrophic Times: Resisting the Coming Barbarism)"Donna J. Haraway asks how to think-with, live-with, and be-with other planetary organisms in a world that does not forget how much ecological trouble it is in. This is not to lament at the world's destruction, but to see afresh what the possibilities of life have always been. Staying with the Trouble is at once a compelling sequel to a series of major works, a manifesto full of intellectual energy to put beside her famous Cyborg Manifesto, and at the same time only a momentary resting place in a life still committed to making us think." (Marilyn Strathern, Cambridge University)

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Product details

Series: Experimental Futures

Paperback: 312 pages

Publisher: Duke University Press Books; First Edition edition (September 19, 2016)

Language: English

ISBN-10: 0822362244

ISBN-13: 978-0822362241

Product Dimensions:

6 x 0.8 x 8.8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

25 customer reviews

Amazon Best Sellers Rank:

#21,107 in Books (See Top 100 in Books)

Haraway puts her unique blend of virtuosic wordplay and broad humanistic and scientific understanding into the service of helping us think about the contemporary state of the world in constructive ways. This is about not dismissing climate change and other huge threats because we can do nothing about them, and also not imagining we have the power to "fix" them, but embracing this moment because it is all that we have, and life is worth it. The constant repetitions of certain phrases and images can be irritating, until you see this as a sort of poem or performance piece that is trying to keep you in the present moment while connecting you to ideas, people, places, and especially species you had never felt kinship to before.

Donna Haraway's work has always fascinated me, and this recent piece on how we can find new ways to encounter and live, grow, and die with other "peoples" (in the broadest sense of the term) is just as vital to my thinking today as Simians, Cyborgs, and Women was at the start of my academic career. Haraway's goal- to find ways of "making oddkin," refusing to take a technological, lazy optimist view of the future nor subscribe to nihilist futilism at what has already occurred, suggests we find ways to reach out in all the myriad creative, intersectional approaches we can muster.The first half of the book is very dense, where Haraway lays out how she intends to connect her SF practices with attention to other "critters" in the world as the Sixth Great Extinction is already steam-rolling species diversity, habitats, and affecting marginalized, indigenous, and impoverished peoples most. Her idea that we need a new term for this epochal shift- rather than Anthropocene or Capitalocene- instead goes back to "chthonic" others- spiders, pigeons, fungi, and other creatures usually relegated to the compost bins of human attention. She turns instead away from post-humanist language to com-positions, staying together with the trouble.I loved the second half of Haraway's book, as the chapters are short, full of loving craft, and bring out her ideas in novel ways that aren't usually seen in academic writing. Her last section about the Camillas is a storytelling encapsulation of the rest of her book. It's a fun read on its own, but you might need the other 7 chapters to understand what she means.

Great read

Climate change and the onset of the Anthropocene, or Cthulucene as Haraway prefers to call it, calls for new ways of being and different stories to the ones we've been telling each other. Rather than an individualistic, capital M Man story, we need earthier, more entangled stories that will guide us in tough decisions about who lives and who dies, for whom we are and are not responsible in a finite world. This is a book about avoiding two mental places that are not helpful: denial on one hand or "game over" on the other. Instead, we need to stay with this trouble, and Haraway provides a lively philosophy for doing that.

Excellent book for anyone considering how to deal with and think about our current climate crisis.

This is the first book I have read in a long time that offers a path (or really many paths) forward. It is already affecting my writing and my teaching.

I loved this book. Learned so much about eco activism and how these things are linked with other social concepts very important to me. Definitely recommend to anyone looking to learn about humans current place in the world.

This is a rarity--a book that clear-sightedly addresses the troublesome issue of climate change and general environmental degradation, yet is not relentlessly depressing. Haraway plays with words and ideas, producing a mind-bending work that pushes the reader off center. ONLY by breaking out of our current paradigm, invisible in its ubiquity, can we move forward. A wordsmith, the author does spend a lot of time on terminology, and a bit egotistically champions her own phrases, but the journey she offers is well worth the pedantry. It matter what thoughts think thoughts. It matters what words express ideas.

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